Bar Design. Personal project, modeled in Maya, rendered in Octane.

Early architecture exploration modeled in maya, rendered in octane, painted in photoshop. Design was immediately shared with previz so they could use for scene blocking.

One of my cage designs exploring scale and allowing framing for the animal children to see/talk to the captives through a ‘vent’ that James had written into the script. As well as ways for the floor to open up to the tunnel/pit.

As this was a 3 part connected set I was immediately blocking things out to scale in maya to make sure the scenes could transition smoothly.

Alternate cage layout

Checking framing for Drax to be able to Robot dance with the kids visible in frame through the floor cage.

Earlier script version had the animal children in a vent looking down on the captives.

Large space where the Obelisks would meet our heroes. This set was scaled down immensely from what the original scene called for.

Animals kids viewpoint from high vent cage.

View of heros being dropped into cage.

As the cage floor gave out, Nebula was scripted to grab a piece of the cage and use it to slow her descent through the tunnel.

Keyframe exploring where Obelisks would break through wall.

Spaceship interior corridor done for Beyonce / Verizon Super Bowl commercial. Designed/modeled in Maya, rendered in Octane in 3 days.

Talent was being shot with 6 6’ x 6’ lights on either side and set was later comped in.

Modeled in Maya, rendered in Octane

concept for a bar that Kenobi would stop at on his way home from work in the dunes.

Kenobi and Lars having a discussion at the bar

Personal bedroom design that I hope to live in one day. Modeled in Maya, rendered in Octane.

Earlier design with higher ceilings and frosted glass room dividers.

Underground bunker built out of Airstream trailers using their Aluminum bodies to keep out radio signals. Designed/modeled in maya, rendered in Octane.

Central core of the Bowie ship modeled in maya, rendered in Octane. Art Director Alex McCarrol gave me a bare bones model blockout of door locations. I added in the spiral staircase, central elevator, wall designs and lighting. Nick Cross later took my model and developed it out further for fabrication.

of the Bowie core.

Ergo Decompression chamber early development. This room was described in script as a fleshy walled sphere that the Guardians cut their way into. There was a lot of development figuring out where the scripted window, wall cut, doors and ‘toilet’ would be allowing for proper sight lines. Designed/modeled in Maya, rendered in Octane.

During reshoots on Captain Marvel there was a request for a new set called ‘the grand staircase’. I quickly created these illustrations based on a rough model I blocked out in Maya hoping to start a design conversation. Luckily everyone loved the images as they were and the model was passed on to VFX.

Screenshot from Captain Marvel of the set/scene I concepted.

MAYA

Dream state world where Carol communicates with the ai

Dream state world where Carol communicates with the ai